Leeuwin Estate Art Series Chardonnay 2011

James Halliday Top 100 Wines of 2014

"I’ve gone on record more times than I care to count saying the Leeuwin Art Series is Australia’s greatest chardonnay."  James Halliday

Leeuwin Estate Art Series Chardonnay needs no introduction. It is an icon of Australian wine and is one of Langton's Heritage Five which celebrates Australia's most exceptional and ground-breaking wines - the other four being Penfolds Grange, Henschke Hill of Grace, Mount Mary Quintet and Wendouree Shiraz. It is often compared favourably with great White Burgundies. 

"There is always cause to genuflect in the presence of chardonnay royalty, such as that of Leeuwin Estate. It imposes its will without a flicker of effort; the line between citrus and stone fruit, and between oak and mineral comes and goes, leaving you grasping at straws; it's a wine of flawless balance, line and length."  James Halliday

The Art Series Chardonnay is sourced primarily from the 1976-planted Block 20 and supplemented with fruit from the 1978-planted Block 22. The quality of the vineyard is well recognised and remains the backbone of the Art Series Chardonnay. The vineyard blocks are planted to the Gingin clone on a series of rolling hills facing all directions. 

Expert reviews

"There is always cause to genuflect in the presence of chardonnay royalty, such as that of Leeuwin Estate. It imposes its will without a flicker of effort; the line between citrus and stone fruit, and between oak and mineral comes and goes, leaving you grasping at straws; it's a wine of flawless balance, line and length. Drink by 2031."  James Halliday, Halliday Wine Companion - 98 points

"Light, lemony yellow colour. The bouquet is very nutty and gently toasty, with rich grapefruit aroma which translates perfectly to the palate. It's very complex and seductive. Liberal oak beautifully harmonised with amazingly powerful fruit. A most impressive wine, with great power and length. The fragrance haunts the glass long after the wine is gone. A great chardonnay."  Huon Hooke, The Real Review – 97 points

"Outstanding chardonnay; powerful, multi-layered, full-bodied, just so impressive at 14 years of age. Drink: 2025-2029."  Huon Hooke, The Real Review – 97 points (Tasted Feb 2025)

"Pale colour. Lime, lemon curd, and grapefruit aromas with flinty hint of lanolin notes. Supple textured wine with plentiful lime, lemon, grapefruit, tonic water flavours, fine loose-knit chalky textures and fresh linear bell clear acidity. Finishes al dente and crisp with sinuous nectarine, grilled nut, vanilla/pastry notes. A gentle style with lovely complexity and tension. Drink: Now-2030."  Andrew Caillard MW, The Vintage Journal - 97 points (Tasted 2021)

"Rich, ripe and generous, this is deftly balanced to lift the pear, mango, floral and spice flavors with gentle acidity. Comes together on the supple, seductive finish, showing tremendous depth and intensity without losing any charm."  Harvey Steiman, Wine Spectator - 96 points

"A smoky slightly meaty fragrance of peach melon and grapefruit is enmeshed with new fine-grained matchstick-like French oak creamy nougat-like influences cloves and cinnamon Full to medium-bodied its elegant and shapely finer and more focused and mineral than usual for this wine although theres a pleasing weight and almost fatty presence of plump grapefruit and melon flavour in mid palate It finishes long and tightly defined with lingering briny mineral notes and a delightfully brittle acidity."  Jeremy Oliver - 96 points

"While all may not have been well in the east (of Australia) in 2011, all was well and sunny in Western Australia. The 2011 Art Series Chardonnay is starting to turn a vivid yellow in the glass, yet it retains glints of vibrant green still. The fruit that gathers around the acid (being the center point of the wine at this stage) is savory and taut. If anything, this wine is in a quiet phase right now—the fruit is tightly bound to its supporting phenolic and acidic structure, awaiting its next window. Drink: 2022-2032."  Erin Larkin, Wine Advocate - 95 points (Tasted Jul 2022)

Awards

James Halliday Top 100 Wines of 2016

The winery

In 1969, Denis and Tricia Horgan purchased a farm and plumbing business in Margaret River that they would eventually transform into Leeuwin Estate, one of Australia's most iconic wineries. At the time they had little interest in wine or plumbing (they sold the business), but in 1972 they met legendary Napa Valley winemaker, Robert Mondavi, who wanted to purchase their farm to plant vineyards. The farm was not for sale, but with Mondavi acting as consultant and mentor, they planted vineyards with the dream of becoming a world-class producer of premium wine.

A nursery was planted in 1974, the vineyards were planted over a five-year period from 1975 and Leeuwin released its first commercial vintage in 1979. The Leeuwin Estate vineyards are planted to Chardonnay, Cabernet Sauvignon, Riesling, Sauvignon Blanc and Shiraz, but it is the Chardonnay and to a lesser extent the Cabernet that are the stars of the portfolio. Langton's classifies Leeuwin Estate Art Series Chardonnay as 'Exceptional' and one of the Heritage Five which celebrates Australia's most iconic, exceptional and ground-breaking wines - the other four are Penfolds Grange, Henschke Hill of Grace, Mount Mary Quintet and Wendouree Shiraz.

Leeuwin Estate releases its wines under three labels, the Art Series, Prelude Vineyards and Siblings. The Art Series range was created in 1980 and features Australian artwork on the labels.

Denis and Tricia Horgan continue their involvement in Leeuwin Estate, but today it is their two eldest children, son Justin Horgan and daughter Simone Furlong, who run the business as joint chief executives. 

"I fell into the wine industry because Mondavi wanted to buy the land; I thank God that we didn't sell."  Denis Horgan

Art series labels

The Art Series range was created in 1980 and features Australian artwork on the labels.

"I had developed an interest in Australian art in the early days. During a trip to Europe I was invited to meet Baroness Philippine de Rothschild at the Chateau Mouton-Rothschild wine estate in Bordeaux. The winemaker showed me around the winery and art gallery before having lunch with the Baroness.

I was so impressed with the way art had been integrated into the business that I asked Baroness Philippine if she would mind if we used Australian Artwork on our labels. She thought that was a great idea and said, "Go ahead".

So we created the 'Art Series' range in 1980 to define our most opulent and age-worthy wines from each vintage.  The first label carried a painting of our region's famous 'Caves Road' by Robert Juniper. We now have over 150 paintings from Australia's leading contemporary artists in our collection. We display the original artworks in the winery art gallery."  Denis Horgan

The collection now comprises over 150 paintings and features artworks from artists including John Olsen, Arthur Boyd, Sir Sidney Nolan, Lloyd Rees, Albert Tucker, Fred Williams, Robert Juniper, Clifton Pugh and Imants Tillers. The only work not part of the Estate's own collection is Sir Arthur Streeton's Golden Summer, which was kindly offered by its then owner for use on a special Museum Release of the 1987 Art Series Cabernet Sauvignon before moving to its new home at the National Gallery.

Many of the paintings and sculptures were specifically commissioned. Others were discovered in exhibitions around Australia and the artists approached for copyright permission to be reproduced as part of the label series. The first painting commissioned was of Caves Road by Robert Juniper for the 1980 Art Series Chardonnay. John Olsen was approached to paint the first artwork to be used on the Art Series Riesling. He responded with the creation of four works entitled “Frogs in Riesling”. These paintings were so irresistible that the decision was made to purchase all four and all have been used, in a random pattern, on Art Series Riesling labels ever since. This makes the Riesling unique, as for the labels of all other wines, a new work is commissioned each year.

Sir Sidney Nolan, when approached at the beginning of the series, advised he was not a graphic artist and did not paint for wine labels. He was also a red wine buff and was sent two unlabelled bottles of the 1982 Cabernet Sauvignon – one of Leeuwin's best vintages. He responded that for this wine he would happily provide a painting. This resulted in his Dolphin Rock appearing on the label.

With the high calibre of the artists consenting to appear on the labels, it is no longer a challenge convincing leading artists to be part of this collection. Eventually, as the collection builds, it is hoped to tour it in its own right. Some works have been lent from time to time but most are on display in the Leeuwin Estate Art Gallery.

The concerts

"As one of the world's most isolated wine regions, we wanted to be creative in generating reasons for visitors to come and discover Margaret River and our wines.

Our winery overlooks a meadow surrounded by a forest of tall karri trees, creating a beautiful natural amphitheatre. So in 1985 we wrote to the West Australian Symphony Orchestra, the local Ballet Company and the Opera Company inviting them to consider coming down and doing a concert. The idea of alfresco performances in the bush was extremely novel at the time and we didn't get much interest from any of them.

The then Director of The Festival of Perth, David Blenkinsopp, approached us about that time, asking if we would underwrite the visit to Australia of the London Philharmonic Orchestra, something that somewhat shocked us at the time, huge costs, logistics and all of that – no was the answer, unless they would be prepared to perform in our vineyard.

He went off to London to organise the tour and said he'd talk to the LPO and let me know. To my surprise he came back and said they'd love to perform at Leeuwin, as long as we underwrote the whole Australian tour. Trish thought I was mad, in fact everybody I know thought I was mad, but I said yes!

Funnily enough it was a bit like the wine, we didn't know that much about music and certainly nothing about being concert promoters, however we thought the London Philharmonic Orchestra was a pretty good 'band' to start our concerts with! They really might be worth the risk and we needed to generate a profile for our wine business in a creative way.

So 100+ members of The London Philharmonic Orchestra travelled all the way to Margaret River, we built a stage, did some creative things entertainment wise and all had a fantastic night. The concert was a sell-out; we even had to turn away 500. It made front page news, described as “The most extraordinary concert ever held in Australia."

Our wines were successfully launched nationally at functions held off the back of the concerts throughout Australia – it proved to be a highly successful promotion.

The impact of that first concert guaranteed the future success of our concerts. Whilst it cost a fortune in our underwriting of the total Australian tour it was a highly successful launch pad to promote Leeuwin Estate to all the right people at home and Eastern Australia.

That first Leeuwin Concert was so successful that we continued the relationship with the Festival of Perth for another two years, featuring other international orchestras. Then we thought that we needed to do something different and presented Ray Charles. The new format proved to be even more successful so we decided to stick to that format for a while – 32 years later we have presented an eclectic array of the world's leading musicians at Leeuwin, from Sting to James Taylor, Carole King and Dame Kiri Te Kanawa."  Denis Horgan

Text taken from Milton Wordley's article 'People of Wine', https://winetenquestions.com.au/