Vintage Conditions: The South-East growing districts of South Australia enjoyed above-average winter rainfall, while McLaren Vale and the Barossa Valley recorded well below-average. September temperatures were cool with little rainfall resulting in some isolated frost events. Summer was generally hot, with high temperatures delaying veraison. The Barossa Valley experienced 31 days of temperatures exceeding 35°C, while Coonawarra experienced 20 days of temperature greater than 35°C during the months December to March. Irrigation was crucial to keep vines in good health. The proximity of the Southern Ocean played an important role in moderating temperatures in Coonawarra, Wrattonbully and Padthaway, allowing for a high-quality harvest, albeit with smaller yields than average. Although yields were lower, the quality was outstanding with both shiraz and cabernet sauvignon displaying excellent colours, firm tannin profiles and intense flavours." Penfolds
Expert reviews
"Primarily from the Limestone Coast, which had a superb vintage, plus some McLaren Vale and Barossa Valley. A full-on symphony of sultry dark fruits, spice, dark chocolate and licorice, the tannin and oak made to measure. Drink to: 2044." James Halliday; The Weekend Australian Magazine - 97 points
"I'm a card-carrying member of the Bin 389 lovers club. Known affectionately as baby Grange, Bin 389 has just celebrated its 60th birthday. This youthful example is one of the better vintages I have tried but if you think it is good now, wait and see what it tastes like in another decade or two. Drink: 2021-2049." Bob Campbell MW, The Real Review - 97 points
"Deep crimson. Fresh blackcurrant, mulberry, black cherry, dark chocolate aromas with roasted chestnut, cedar, liquorice notes. Full bodied and evenly balanced wine with inky cassis, mulberry black cherry fruits, fine grainy slightly grippy tannins, attractive mid-palate volume and roasted chestnut cedar wood notes. Finishes vigorously firm with plentiful sweet fruit notes. Quite muscular in attack but has the density and the richness to carry the tannins. A dark horse vintage with the shape of Bin 389 and the torque of Bin 707. Seal; cork 2026-2045 14.5% alc." Andrew Caillard MW - 96 points
"Deep, dense, glass staining red/purple colour. The bouquet is very savoury mixing earthy, spicy, blackstrap licorice and toasty-barrel nuances, the palate savoury and drying, the more sapid and less fruity aspects typical of of the Bin 389 style. There is a blackberry and cassis cabernet note in there too, when you hunt for it. Great intensity, concentration and focus, elegant, taut and long-lingering. A classic 389, ageworthy and very much in the style groove. Drink: 2023-2043." Huon Hooke, The Real Review - 96 points
"There is a resolute conviction to Bin 389, a confident assuredness that transcends its seasons like no other wine around it in the Penfolds line-up, its consistency grounded in the almost even marriage of its 2 constituents. The 2019 vintage exemplifies this, a seamless harmony between the tension and fine-boned structure of cabernet and the body and depth of shiraz, yet embraced here in seamlessly interlocked harmony. A sea of glorious Penfolds tannins float a finish that is both expansive and far-reaching. Another grand 389 for the cellar! Drink by 2049." Tyson Stelzer, Halliday Wine Companion - 96 points
"A wine for Penfolds' true believers. 'Claret' for the modern era. Stating the case for multi-regional styling. This is fabulous from the first whiff, with so much going on in its complex expression that wafts from cabernet's aromatic herbal notes then settle into the vintage's savoury suggestions – some meatiness and charcuterie for instance – then mocha of course, and delicious little pokes of sweet plum bringing the shiraz fruit into focus. The synergy of the blend become singular, wrapped up in a mouthful of integrated tannins. All round excellence." Tony Love, Wine Pilot – 96 points
"Matured in the same barrels that held the previous vintage of Grange. Structure from the cabernet and the richness of the shiraz. The quintessential Australian blend. Bay leaf, sage, cassis, blackberry. This is tannic, dense and full on… but it shows a potential for graceful ageing that stands above all that it has to offer on the fruit front. Very full on today, but this is a cracker. Buy it put it down… this is fierce. But it is also brilliant. A commanding release." Erin Larkin, erinlarkin.com.au – 96 points
"Dark magenta with a purple rim. Early days, of course, but this wine is already exhibiting more complexity than most. Warm earth, animal hide, truffles, dark chocolate, beautifully integrated oak, a hint of garden herbs and of a malty chocolate note. Such a gorgeous seductive character. Seamless and supple. Bright acidity in the background. The intensity is maintained on a very long finish. Silky tannins and plenty of them. Good concentration. This wine is so well structured and so impressively balanced. This is a 389 which offers a great deal now but so much more if you can put it away for a decade or two." Ken Gargett, Wine Pilot - 96 points
"Seamless release. It draws everything together in the most agreeable of ways. Currants and plums, mint and various fragrant herbs, vanilla, cedar, blood orange and licorice. The sweet core of fruit is extended by the tannin rather than abrupted. It's in the zone. It feels complete. And that blood orange note, choc-orange almost but not quite, evident on both the nose and in the mouth, is quite mesmerizingly delicious. Drink : 2026 - 2038+." Campbell Mattinson, The Wine Front - 95 points
"With its seamless textural slide across the palate, this is a superb example of what is considered a distinctly Australian blend, showing both generosity and serious intent. A magnificent full nose leads to a lively dance of red plums over blue and black fruits, although the strong acid spine results in a rather sharp finish. Time in the cellar will reveal more integrated harmony between the essential elements." David Sly, Decanter - 95 points
"Of all the traditional Penfolds Bin reds, 389 is the one that consistently year after year arrives ready to enjoy straight out of the blocks. It's a winemaking masterclass in balance and integration of cabernet sauvignon and shiraz from multiple South Australian wine regions. In 2019, five regions provide the basic materials led by Padthaway and McLaren Vale. Usually more prominent, Coonawarra and the Barossa Valley come in last, an indication maybe of the summer heat waves that they endured.
If anything, the 389 a la 2019 is a little forward but it nevertheless comes fully formed resplendent in the scent of violets, sage, spiced black berries, licorice and fresh coffee grounds.
The percentage of new American oak has been pulled back a smidge to reveal a mere dusting of pencil shavings, vanillin overlay. It makes for an attractive background to the vibrancy of fruit. Dried herbs, blue fruits, black berries, earth are all tight and focused on a palate drawn tight by fine tannins." Jeni Port, Wine Pilot – 94 points
The story of bin 389
Penfolds Bin 389 Cabernet Shiraz, often known as 'Baby Grange', is named after its original binning compartment at Magill cellars. First produced in 1960, its history is connected with the development of Grange and Max Schubert's ambition to create what he called 'a dynasty of wines' for Penfolds.
Early Bin 389 vintages were made with fruit from around the Adelaide foothills, including Auldana and Magill. According to retired Penfolds Senior Winemaker John Bird, a small portion of Morphett Vale fruit, parcels not used for Grange and sometimes McLaren Vale fruit were also included in the blend during the 1960s. After Penfolds vineyards around Adelaide were extensively pulled out to make way for urban development during the mid-1970s, Barossa Valley, particularly the Kalimna Vineyard,
became a dominant source of fruit.
Since the mid-1990s Bin 389 has drawn fruit from around South Australia, including Barossa Valley, Coonawarra, Padthaway, McLaren Vale, Langhorne Creek, Wrattonbully, Clare Valley and Robe. Exacting specifications of ripeness, classic Penfolds winemaking and strict classification of wines after maturation have ensured the style has remained consistent since the beginning.
Bin 389 epitomises Penfolds winemaking philosophy and the benefits of cross-varietal and multi-regional blending. Max Schubert always favoured warmer-climate fruit as a source for the wine. By marrying the perfume and chocolaty tannins of ripe cabernet sauvignon with opulent and fleshy shiraz he could achieve extra aromatic complexity, volume and palate richness. The style has been refined over the last 60 years through meticulous fruit selection, the introduction of new technology and winemaking refinements. During the 1960s, use of refrigeration and stainless steel enabled winemakers to preserve freshness; new membrane presses during the 1970s allowed gentler extraction of flavours and tannins.
Vineyard management practices and a rigorous fruit-grading system have also contributed to higher quality fruit. Nonetheless, the overall winemaking practices have not changed: the classical heading down in open fermenters, partial barrel fermentation and maturation in new and seasoned American oak (much used previously for Penfolds Grange and Bin 707 Cabernet Sauvignon) remain key Penfolds techniques.
Bin 389 Cabernet Shiraz remains one of Australia's most popular collectible red wines because of its consistency and long-term cellaring potential.
Peter Gago
The following text is taken from an article by Ken Gargett in Quill & Pad, https://quillandpad.com
Peter Gago has what many people in the wine world think is the best job on the planet. He is chief winemaker for Penfolds, based in South Australia and one of Australia’s oldest wine producers.
Max Schubert created Grange with the experimental first wine, the 1951, after he returned from Bordeaux and wanted to establish an Aussie First Growth. The story of Grange has been told many times, and as fascinating as it is I won’t rehash it again. Schubert ruled at Penfolds right through to the 1976 vintage, when he handed the reins to Don Ditter. Ditter made the wines right through to the 1986 vintage when John Duval stepped up. Duval was chief winemaker until the 2002 vintage, when he left to do his own thing, very successfully.
Since that time, Peter Gago has been the chief winemaker. It should be noted that although the role of chief winemaker at Penfolds will always be inextricably linked with Grange, there are a great many other wines in the portfolio for which this position assumes ultimate responsibility.
Alongside the winemaking, in which he is still heavily involved, a usual week in non-Covid times sees Gago flying around the world to tastings, dinners, events, festivals, and promotions. I suspect that only David Attenborough (outside of pilots and crew) has racked up more flying miles. I remember seeing him one day when he seemed even more pleased with the world than usual. Turns out he’d just run into his wife, Gail, now retired but a long-term and highly regarded member of the South Australian parliament, at the airport. Gago had not been aware that they would both be in the same country that week, let alone cross paths, such is his usual peripatetic lifestyle.
Gago has friends and admirers all around the globe, from the rich and famous to young, aspiring wine lovers, and will spend time talking to them all. I suspect that if he wanted to start dropping names, the din would reverberate for days, but you could not find a humbler man. Gago is a serious music buff and you’d be amazed at the number of rock stars who revere him, much in the way their fans might do for them (for instance, after crawling over broken glass to get a ticket to a Bruce Springsteen concert I saw Gago sitting in prime seats with Springsteen’s family, after which they went for dinner and knocked off a few bottles of Grange).
Gago is probably as close to a rock star himself in the world of wine, although perhaps more modest rather than flamboyant. And I have no idea if he can sing.
The thing that most amazes me with Gago is that every time you talk to him, he is bubbling with genuine enthusiasm, not just for Grange but for all his wines. He just loves what he is doing. One gets the feeling that every morning he wakes up and pinches himself to make sure it is real.
Among his many attributes, Gago has the gift of the gab like few others. Only once have I ever seen him lost for words and caught off guard. Many years ago, at the annual release – held in a very fancy location near the shores of Sydney Harbor; it is always a fancy location somewhere and also always includes great champagne to kick off the day as Gago is fanatical about the world’s best bubbles – the then current chairman or CEO of whichever corporate entity was then the owner of Penfolds attended the day. Forgive me for my failure to remember just where the corporate snakes and ladders left Penfolds that day and for failing to remember the relevant gentleman’s name. He had only been appointed as a temporary executive while the search for a more permanent one was ongoing, but unlike any of the CEOs before and after, this man had a genuine interest and came to a couple of tastings to learn.
Anyway, as we sipped our champagne on the lawns overlooking Sydney Harbor and chatted, our friend suddenly posed a question to Gago. He had been meaning to ask, he said, just how much Grange the company made. There were five or six writers in this little group and suddenly, every single one of us had pad and pen poised. The production of Grange is a national secret that is not to be disclosed under pain of death (general consensus puts it at, depending on the vintage, between 5,000 and 15,000 cases, with most releases in the mid range, but this is pure speculation).
Gago was at a loss. The boss of bosses had just asked him a direct question and Gago is far too polite not to answer but knew he couldn’t give that information out in public. He managed a fair bit of mumbling and generalizations and I think he suggested they meet later. Pads and pens all went back into bags, and we could not help grinning while Gago looked like he’d just swallowed a bad oyster.
Gago was born in England in 1957, but his family moved to Melbourne when he was only six years of age. Originally a math teacher (teaching is still a passion), he undertook a science degree at the University of Melbourne and then attended Roseworthy College, a famous Australian winemaking college, graduating as Dux (the highest ranking academic performance -ed), which will surprise no one.
In 1989 he joined Penfolds as a sparkling winemaker, working with Ed Carr, who has established a career in sparkling wine (now with Arras) as successful as Gago’s is with table wines. He moved to reds and quickly rose through the ranks until succeeding Duval in 2002. In the 73 years since Schubert was first appointed, Gago is only the fourth chief winemaker.
During his tenure, he has stacked up an extraordinary array of bling, as has Penfolds under his stewardship (Gago heads a team of eight winemakers for table wines and a couple more for fortifieds). He has several “Winemaker of the Year” awards from different entities and publications, both from Australia and abroad, but the accolades go well beyond that.
In 2017, in what is termed “the Queen’s Birthday Honors List,” he was awarded the highly prestigious Companion of the Order of Australia (AC) for service to the wine industry. For non-Aussies, that is a big one! A year later, he received an honorary doctorate from the University of South Australia and named the Great Wine Capitals Ambassador for South Australia.
Very recently, Gago was awarded perhaps the most prestigious honor of all in the wine world: admission to the Decanter Hall of Fame (previously they honored the Decanter Man – or Woman – of the Year, but that changed). Decanter is a highly respected English wine magazine that established its hall of fame in 1984 with Serge Hochar from Château Musar in Lebanon the first recipient. There is only a single addition per year. Gago is the fourth Australian following Max Schubert in 1988, Len Evans in 1997, and Brian Croser in 2004. That two of the four chief winemakers from a single producer have made this list (Schubert and Gago) is unprecedented but shows just where Penfolds sits in the pantheon of wine producers around the globe.
And should you still remain unconvinced then take a moment to look at some of the names Gago has joined: Parker, Spurrier, Tchelistcheff, Robinson, Moueix, de Villaine, Antinori, Lichine, Gaja, Symington, Loosen, Guigal, Torres, Draper, Peynaud, Mondavi, and so many more. There is no question that the name Peter Gago sits very comfortably alongside them all.
What is most important is that across the board the Penfolds wines have never been better, and while it is a team effort, in the end we can thank Gago.
About the winery
After the success of early sherries and fortified wines, founders Dr Christopher and Mary Penfold planted the vine cuttings they had carried on their voyage over to Australia. In 1844 the fledging vineyard was officially established as the Penfolds wine company at Magill Estate.
As the company grew, so too did Dr Penfold's medical reputation, leaving much of the running of the winery to Mary Penfold. Early forays into Clarets and Rieslings proved increasingly popular, and on Christopher's death in 1870, Mary assumed total responsibility for the winery. Mary's reign at the helm of Penfolds saw years of determination and endeavour.
By the time Mary Penfold retired in 1884 (ceding management to her daughter, Georgina) Penfolds was producing 1/3 of all South Australia's wine. She'd set an agenda that continues today, experimenting with new methods in wine production. By Mary's death in 1896, the Penfolds legacy was well on its way to fruition. By 1907, Penfolds had become South Australia's largest winery.
In 1948, history was made again as Max Schubert became the company's first Chief Winemaker. A loyal company man and true innovator, Schubert would propel Penfolds onto the global stage with his experimentation of long-lasting wines - the creation of Penfolds Grange in the 1950s.
In 1959 (while Schubert was perfecting his Grange experiment in secret), the tradition of ‘bin wines' began. The first, a Shiraz wine with the grapes of the company's own Barossa Valley vineyards was simply named after the storage area of the cellars where it is aged. And so Kalimna Bin 28 becomes the first official Penfolds Bin number wine.
In 1960, the Penfolds board instructed Max Schubert to officially re-start production on Grange. His determination and the quality of the aged wine had won them over.
Soon, the medals began flowing and Grange quickly became one of the most revered wines around the world. In 1988 Schubert was named Decanter Magazine's Man of the Year, and on the 50th anniversary of its birth, Penfolds Grange was given a heritage listing in South Australia.
Despite great success, Penfolds never rests on its laurels. In 2012 Penfolds released its most innovative project to date - 12 handcrafted ampoules of the rare 2004 Kalimna Block Cabernet Sauvignon.
Two years later, Penfolds celebrated the 170th anniversary – having just picked up a perfect score of 100 for the 2008 Grange in two of the world's most influential wine magazines. Today, Penfolds continues to hold dear the philosophies and legends – '1844 to evermore!'.