Expert reviews
"Medium-deep crimson. Fresh dark cherry, blackcurrant, dark chocolate and cigar box aromas with herb garden liquorice notes. Expressive and plush with ample blackcurrant and dark chocolate flavours, chocolaty ripe tannins, plentiful mocha oak nuances and integrated acidity. Superb generosity, concentration and richness with beautiful ripe chalky plume at the finish. Substantial mid-1880s-planted Block 42 material in the blend. Peak drinking now to 2045+." Penfolds Rewards of Patience tasting panel 2021 - 5/5 rating
"A long, seamless and very sophisticated cabernet despite its significant dimensions, structure and power. It opens with an intense violet-like perfume of aromatic cassis, blackberries and dark plums over dark chocolate and mocha-like oak, with meaty, briary undertones. Simultaneously very firm and cultivated, it's steeped in piercing flavours of blackberries, dark plums and cassis, and backed by very smart oak and robust, pliant tannins. It's long and savoury, with a lingering core of explosive dark fruit and dusty, dried herb-liked nuances. A genuine Bin 707. Drink 2024-2034+." Jeremy Oliver – 97 points
"Much more generous and appealing than Bin 407 at first acquaintance; luscious blackcurrant fruit, and seamless oak and tannins; great mouthfeel. 13.5º alc. Drink Now - 2034." James Halliday, Halliday Wine Companion - 96 points
"Bright purple colour, very deep. Concentrated cassis aromas; clean and berryish, more fruit-driven than usual. Oak takes a back seat. Chocolate palate; mocha; dense and mouth-coating, very thick and reduced (like simmered stock) but retains some balance, elegance and fruit-drive. Essence of winegrapes! Best in 3 to 22 years." Huon Hooke, The Real Review - 95 points
"The 2004 Cabernet Sauvignon "Bin 707” is one of the Penfolds' flagship wines. It was aged for 15 months in 100% new American oak. Opaque purple/black, it exhibits a classic Cabernet nose of cedar, tobacco, spice box, black currant, and blackberry liqueur. Medium-bodied (13.5% alcohol) but dense and concentrated, with tons of black fruit flavor, the wine is tightly knit, structured, beautifully balanced, and very promising. It needs a minimum of 10-12 years of cellaring and should provide pleasure through 2040. Penfolds, arguably Australia's most famous winery, continues to perform at a high level under the leadership of Head Winemaker, Peter Gago." The Wine Advocate - 95 points
"This esteemed cabernet, released with the outstanding 2002 Grange recently, doesn't enjoy the same hype, nor the $500 tag. It's still pricey and very impressive. Concentrated blackcurrant and fruitcakey aromas are woven through vanilla and mocha-like oak. The dense, power-packed palate is profound, ripe and long, with beautifully textured tannins. Ageing? Yes, three to 15 years." Ralph Kyte-Powell, Epicure Uncorked ★★★★★
"I'd heard reports that this was less encumbered with oak than usual but the bottle I drank was still heavy with seasoned, cedary, spicy vanillin, the established oak-driven style of the label clearly intact. That said, the wine shimmies with class, the musky, dusty, curranty flavour of it long and dry and its fine, fleshy, filligreed tannins reaching long through the mouth. It is a wine in a style, sure, but quite a superb example of it. Drink: 2015-2025+." Campbell Mattinson, The Wine Front - 94 points
Awards
Penfolds Rewards of Patience tasting panel 2021 - 5/5 rating
The story of bin 707
Bin 707 Cabernet Sauvignon, Penfolds first commercial release of a single cabernet-based wine, is linked to Max Schubert's dream of making a great Australian red wine that could last at least 20 years.
When Penfolds purchased the 1888-planted Kalimna Vineyard, including the prized Block 42 plantings of cabernet sauvignon, the varietal was still quite rare in Australia. Schubert had originally thought the Kalimna Vineyard might be a source for Grange, but early crops proved unreliable.
During the '50s and early '60s cabernet sauvignon was mostly used for blending, but Schubert's breakthrough with the varietal as a stand-alone wine came in 1964, at a time when Penfolds was expanding its red table wine portfolio. Early Bin 707 Cabernet Sauvignons were typically open fermented under wax-lined header boards and matured in seasoned old oak (rather than new oak). While these early wines were well received by trade and media, a disappointing 1969 vintage led Penfolds to discontinue production until it could find reliable and consistent fruit.
Penfolds Bin 707 Cabernet Sauvignon returned with the 1976 vintage, primarily based on Coonawarra fruit with vital input from the Barossa Valley. Since then the winemaking blueprint for Bin 707 has been almost identical to Grange, including partial barrel fermentation and 18 months maturation in new American hogsheads. Within a few years of its relaunch, Bin 707 was considered by collectors as a benchmark Australian cabernet sauvignon.
Coonawarra and Barossa Valley, particularly the Kalimna and Koonunga Hill vineyards, have been at the heart of the Bin 707 Cabernet Sauvignon since the 1970s. Today, the cool-climate Robe, Padthaway and Wrattonbully vineyards in South-East South Australia are additional sources.
Winemaking is very similar to Grange and as a consequence the style relies on the riper spectrum of cabernet sauvignon flavours and tannins. In colder growing seasons, when it is difficult to reach optimum ripeness, the wine is not released. These strict selection principles ensure continuity of the Bin 707 style and quality across all released vintages.
Penfolds Rewards of Patience 2021
Peter Gago
The following text is taken from an article by Ken Gargett in Quill & Pad, https://quillandpad.com
Peter Gago has what many people in the wine world think is the best job on the planet. He is chief winemaker for Penfolds, based in South Australia and one of Australia’s oldest wine producers.
Max Schubert created Grange with the experimental first wine, the 1951, after he returned from Bordeaux and wanted to establish an Aussie First Growth. The story of Grange has been told many times, and as fascinating as it is I won’t rehash it again. Schubert ruled at Penfolds right through to the 1976 vintage, when he handed the reins to Don Ditter. Ditter made the wines right through to the 1986 vintage when John Duval stepped up. Duval was chief winemaker until the 2002 vintage, when he left to do his own thing, very successfully.
Since that time, Peter Gago has been the chief winemaker. It should be noted that although the role of chief winemaker at Penfolds will always be inextricably linked with Grange, there are a great many other wines in the portfolio for which this position assumes ultimate responsibility.
Alongside the winemaking, in which he is still heavily involved, a usual week in non-Covid times sees Gago flying around the world to tastings, dinners, events, festivals, and promotions. I suspect that only David Attenborough (outside of pilots and crew) has racked up more flying miles. I remember seeing him one day when he seemed even more pleased with the world than usual. Turns out he’d just run into his wife, Gail, now retired but a long-term and highly regarded member of the South Australian parliament, at the airport. Gago had not been aware that they would both be in the same country that week, let alone cross paths, such is his usual peripatetic lifestyle.
Gago has friends and admirers all around the globe, from the rich and famous to young, aspiring wine lovers, and will spend time talking to them all. I suspect that if he wanted to start dropping names, the din would reverberate for days, but you could not find a humbler man. Gago is a serious music buff and you’d be amazed at the number of rock stars who revere him, much in the way their fans might do for them (for instance, after crawling over broken glass to get a ticket to a Bruce Springsteen concert I saw Gago sitting in prime seats with Springsteen’s family, after which they went for dinner and knocked off a few bottles of Grange).
Gago is probably as close to a rock star himself in the world of wine, although perhaps more modest rather than flamboyant. And I have no idea if he can sing.
The thing that most amazes me with Gago is that every time you talk to him, he is bubbling with genuine enthusiasm, not just for Grange but for all his wines. He just loves what he is doing. One gets the feeling that every morning he wakes up and pinches himself to make sure it is real.
Among his many attributes, Gago has the gift of the gab like few others. Only once have I ever seen him lost for words and caught off guard. Many years ago, at the annual release – held in a very fancy location near the shores of Sydney Harbor; it is always a fancy location somewhere and also always includes great champagne to kick off the day as Gago is fanatical about the world’s best bubbles – the then current chairman or CEO of whichever corporate entity was then the owner of Penfolds attended the day. Forgive me for my failure to remember just where the corporate snakes and ladders left Penfolds that day and for failing to remember the relevant gentleman’s name. He had only been appointed as a temporary executive while the search for a more permanent one was ongoing, but unlike any of the CEOs before and after, this man had a genuine interest and came to a couple of tastings to learn.
Anyway, as we sipped our champagne on the lawns overlooking Sydney Harbor and chatted, our friend suddenly posed a question to Gago. He had been meaning to ask, he said, just how much Grange the company made. There were five or six writers in this little group and suddenly, every single one of us had pad and pen poised. The production of Grange is a national secret that is not to be disclosed under pain of death (general consensus puts it at, depending on the vintage, between 5,000 and 15,000 cases, with most releases in the mid range, but this is pure speculation).
Gago was at a loss. The boss of bosses had just asked him a direct question and Gago is far too polite not to answer but knew he couldn’t give that information out in public. He managed a fair bit of mumbling and generalizations and I think he suggested they meet later. Pads and pens all went back into bags, and we could not help grinning while Gago looked like he’d just swallowed a bad oyster.
Gago was born in England in 1957, but his family moved to Melbourne when he was only six years of age. Originally a math teacher (teaching is still a passion), he undertook a science degree at the University of Melbourne and then attended Roseworthy College, a famous Australian winemaking college, graduating as Dux (the highest ranking academic performance -ed), which will surprise no one.
In 1989 he joined Penfolds as a sparkling winemaker, working with Ed Carr, who has established a career in sparkling wine (now with Arras) as successful as Gago’s is with table wines. He moved to reds and quickly rose through the ranks until succeeding Duval in 2002. In the 73 years since Schubert was first appointed, Gago is only the fourth chief winemaker.
During his tenure, he has stacked up an extraordinary array of bling, as has Penfolds under his stewardship (Gago heads a team of eight winemakers for table wines and a couple more for fortifieds). He has several “Winemaker of the Year” awards from different entities and publications, both from Australia and abroad, but the accolades go well beyond that.
In 2017, in what is termed “the Queen’s Birthday Honors List,” he was awarded the highly prestigious Companion of the Order of Australia (AC) for service to the wine industry. For non-Aussies, that is a big one! A year later, he received an honorary doctorate from the University of South Australia and named the Great Wine Capitals Ambassador for South Australia.
Very recently, Gago was awarded perhaps the most prestigious honor of all in the wine world: admission to the Decanter Hall of Fame (previously they honored the Decanter Man – or Woman – of the Year, but that changed). Decanter is a highly respected English wine magazine that established its hall of fame in 1984 with Serge Hochar from Château Musar in Lebanon the first recipient. There is only a single addition per year. Gago is the fourth Australian following Max Schubert in 1988, Len Evans in 1997, and Brian Croser in 2004. That two of the four chief winemakers from a single producer have made this list (Schubert and Gago) is unprecedented but shows just where Penfolds sits in the pantheon of wine producers around the globe.
And should you still remain unconvinced then take a moment to look at some of the names Gago has joined: Parker, Spurrier, Tchelistcheff, Robinson, Moueix, de Villaine, Antinori, Lichine, Gaja, Symington, Loosen, Guigal, Torres, Draper, Peynaud, Mondavi, and so many more. There is no question that the name Peter Gago sits very comfortably alongside them all.
What is most important is that across the board the Penfolds wines have never been better, and while it is a team effort, in the end we can thank Gago.
Winery
After the success of early sherries and fortified wines, founders Dr Christopher and Mary Penfold planted the vine cuttings they had carried on their voyage over to Australia. In 1844 the fledging vineyard was officially established as the Penfolds wine company at Magill Estate.
As the company grew, so too did Dr Penfold's medical reputation, leaving much of the running of the winery to Mary Penfold. Early forays into Clarets and Rieslings proved increasingly popular, and on Christopher's death in 1870, Mary assumed total responsibility for the winery. Mary's reign at the helm of Penfolds saw years of determination and endeavour.
By the time Mary Penfold retired in 1884 (ceding management to her daughter, Georgina) Penfolds was producing 1/3 of all South Australia's wine. She'd set an agenda that continues today, experimenting with new methods in wine production. By Mary's death in 1896, the Penfolds legacy was well on its way to fruition. By 1907, Penfolds had become South Australia's largest winery.
In 1948, history was made again as Max Schubert became the company's first Chief Winemaker. A loyal company man and true innovator, Schubert would propel Penfolds onto the global stage with his experimentation of long-lasting wines - the creation of Penfolds Grange in the 1950s.
In 1959 (while Schubert was perfecting his Grange experiment in secret), the tradition of ‘bin wines' began. The first, a Shiraz wine with the grapes of the company's own Barossa Valley vineyards was simply named after the storage area of the cellars where it is aged. And so Kalimna Bin 28 becomes the first official Penfolds Bin number wine.
In 1960, the Penfolds board instructed Max Schubert to officially re-start production on Grange. His determination and the quality of the aged wine had won them over.
Soon, the medals began flowing and Grange quickly became one of the most revered wines around the world. In 1988 Schubert was named Decanter Magazine's Man of the Year, and on the 50th anniversary of its birth, Penfolds Grange was given a heritage listing in South Australia.
Despite great success, Penfolds never rests on its laurels. In 2012 Penfolds released its most innovative project to date - 12 handcrafted ampoules of the rare 2004 Kalimna Block Cabernet Sauvignon.
Two years later, Penfolds celebrated the 170th anniversary – having just picked up a perfect score of 100 for the 2008 Grange in two of the world's most influential wine magazines. Today, Penfolds continues to hold dear the philosophies and legends – '1844 to evermore!'.