Penfolds Bin 95 Grange 2017
Style: Red Wine
Variety: Shiraz
Closure: Cork
Penfolds Bin 95 Grange 2017
Camberwell
Burke Road
Camberwell VIC 3124
Australia
Producer: Penfolds
Country: Australia
Region: Multi Regional SA
Vintage: 2017
Critic Score: 20/20 and 98
Alcohol: 14.5 %
Size: 750 ml
Drink by: 2060
James Halliday Top 100 Wines of 2021
Penfolds Bin 95 Grange Shiraz is Australia's most famous wine with a reputation for superb fruit complexity and flavour richness. It is the most powerful expression of Penfolds multi-vineyard, multi-district blending philosophy and is officially listed as a Heritage Icon of South Australia. One of the world's great wines.
"It's very full-bodied and concentrated, powerful and long-lasting, but the tannins are beautifully crafted and supple, harmonious, and avoid any suggestion of astringency. The core of the wine is lusciously fruit-sweet and delicious. The finish is tremendously long and satisfying. A quite magnificent wine and a great Grange." Huon Hooke
The 2017 Penfolds Grange is 100% Shiraz (for only the seventh time after 1951, 1952, 1963, 1999, 2000 and 2011) from premium vineyards in the Barossa Valley and McLaren Vale. The wine was matured for 18 months in new American oak hogsheads.
"Where to start?! An advancing wave of flavours, understated power and charm. The swell builds and a more persuasive wave follows … and then more, with each sip. Drinking well, but will improve with time. Peak drinking 2027 to 2060." Penfolds
Expert reviews
"Delivers absolutely everything you want from Grange: the fruit is knee-weakeningly gorgeous, the oak fits in beautifully, and there's endless length that gives a thoughtful, engaging aftertaste." Richard Hemming MW - 20/20 points
"Barossa Valley, McLaren Vale. Only the 7th Grange to be made from 100% shiraz (on its 70th anniversary). (other 100% vintages were 1951, 1952, 1963, 1999, 2000 and 2011). Intense, youthful shiraz with layers of dark berry, smoky oak, savoury, baked earth, exotic spices, cedar, tobacco and cacao powder plus much more. It has an impeccable balance of alcohol sweetness, with assertive tannins and fruit versus savoury characters. This wine has the X-factor. It promises to age magnificently. Drink: 2021–2060." Bob Campbell, The Real Review – 98 points
"One of those Granges that is immediately appealing. Is this the result of a long ripening period across the Barossa and McLaren Vale, the sources of fruit? Who knows, but there is definitely a case for thinking this is one of the more charming Granges to grace the table.
Impossibly deep purple, dense and moves slow in the glass. The scent is less fruit-inspired, more complex-driven: tight and focussed, everything is dark and exotic and malty and muscular. The palate comes therefore as a bit of a surprise. The sweet fruit rises to meet your lips; the violets and florals, the blackberries, blueberries, macerated raspberries, panforte, and oh so beguiling spice.
The 2017 is all about shiraz – no cabernet to be seen – and so it goes off down a shiraz lane of smoothness and near opulence, well, opulence is a relative term in the Grange vernacular, especially so early in the game. And then the tight tannins arrive on the scene, bringing everything together firmly, resolutely. Of course, having said all of that I am not suggesting we break open a bottle this year. But you can be confident to do it well before it reaches 10. It's one hell of a charmer." Jeni Port, Wine Pilot - 98 points
"A cooler than average season in this vintage's two source regions, Barossa Valley and McLaren Vale, has resulted in a more aromatic Grange than usual, which adds to its already established complex expression. We see here meaty and herbal elements rising to the fore in a rich, gastronomic style with plenty of Grange character on show: formic notes, subtle VA, dark soy and licorice with vanillin oak integration, while the mouthfeel is most appealing, the expected tannin coating delicately integrated. One of the most immediately accessible and drinkable Granges upon release in recent memory." Tony Love, Wine Pilot - 98 points
"Memorable, complex, aromatic and explosively deep, with a mix of palo santo, dark chocolate, black olive, espresso and hazelnut butter. The pure fruit at the core is a mix of ripe huckleberry, boysenberry and wild blackberry, with dense but polished tannins. Savory notes of dried rosemary and sage, cigar box, dried apricot and sandalwood linger on the epic finish. Drink now through 2045." MaryAnn Worobiec, Wine Spectator - 98 points
"Very deep, dark, dense colour with plenty of purple in the rim. The bouquet is classic Grange, loaded with toasty-smoky-oaky scents of smoked-meats and toasted barrels, dried herbs adding an extra fragrance, and hints of five-spice, especially star anise. It's very full-bodied and concentrated, powerful and long-lasting, but the tannins are beautifully crafted and supple, harmonious, and avoid any suggestion of astringency. The core of the wine is lusciously fruit-sweet and delicious, the robe of tannin complementary rather than domineering. The finish is tremendously long and satisfying. I can enjoy drinking this now: not usual with a new Grange release. A quite magnificent wine and a great Grange. (Barossa Valley & McLaren Vale. Only the 7th Grange to be 100% shiraz. 18 months in new American oak hogsheads). Drink: 2023–2057." Huon Hooke, The Real Review – 98 points
"Barossa Valley and McLaren Vale fruit. Matured 18 months in 100% new American oak hogsheads. The inky density and impenetrable presence that proclaim Grange are irrefutable, even in the cooler 2017 season, in which sourcing has been pulled back to the strongholds of the Barossa Valley and McLaren Vale. It's all here: black fruits of every kind, licorice, dark chocolate, coffee bean, coal dust, even a suggestion of fruit-mince spice. A wall of Grange tannins hold back its immense force, as finely engineered as ever. The finish holds motionless for minutes, with a stature and presence possessed only by Grange, yet at every moment upholding statuesque poise, integrity, even tang in this cooler season." Tyson Stelzer, Halliday Wine Companion - 97 points
"100% shiraz, only the 7th such ('51, '52, '63, '99 ,'00, '11); 18 months in new American hogsheads. Fascinating Grange marrying typical Grange richness and depth with the tempering influence of this cool vintage, harvest one month later than '16 (elegance and length key descriptors). Drink to 2047." James Halliday, Halliday Wine Companion - 97 points & Top 100 Wines of 2021
"Opaque, bright-rimmed ruby. Highly pungent, smoke- and mineral-accented aromas of cherry pit, violet candy, cured tobacco, savory herbs, coconut and exotic spices on the kaleidoscopic nose. Shows superb clarity and spicy lift to its spice-laced bitter cherry, cassis, blueberry and floral pastille flavors, which take on black cardamom, menthol and cola nuances as the wine slowly stretches out. Shows superb delineation and spicy thrust on the youthfully tannic finish, which features resonating cherry, blue fruit and floral notes." Josh Raynolds, Vinous - 97 points
"Only the 7th Grange ever to be 100% Shiraz, in 70 years. 18 months in 100% new American hogsheads. The fruit is sourced just from the Barossa and McLaren Vale. An inky opaqueness. Immediately obvious that this wine has that Grange DNA. Powerful oak notes, but integrating well. Coffee beans, soy, vanillin characters, spices, chocolate, bergamot and what seems to be the merest hint of orange rind in the oak. The fruit remains warm and welcoming. Black fruits, beefstock and some ripe raspberries. Real power here but it is seamless, balanced and very long. Good acidity. A lot of tannin – it may seem unobtrusive but it is there. The texture is delightfully supple. For me, this does not exbibit the finesse and focus seen in the very best Granges but it is certainly an extremely fine wine. Certainly a long life ahead of it, though perhaps not quite as long as some vintages. With time in the glass, more red fruits emerged." Ken Gargett, Wine Pilot - 97 points
"This 2021 release marks the 70th anniversary of Grange. Dense, dark, supple and quite beautiful this year. The oak is a major player, of course, but the bounty of red fruits on the palates sings in a louder voice than that of the dark, resinous and frankly charry baritone oak. It is hard not to make comparisons between this and a universe of stars… such is the kaleidoscopic thrust and pull of the galaxy of flavours on the palate. Forest berries, butcher's meats, exotic market spices, peppercorns from the bush, all of it swirling within a midnight vortex of tannin and shape. Extraordinarily beautiful, perhaps more beguiling than the 2016 simply by virtue of its unexpected delicacy on the palate. I love this release. What a beauty." Erin Larkin, erinlarkin.com.au – 97 points
"Deep crimson. Unmistakably Grange with lifted dark cherry blackberry, quince, praline mocha aromas and aniseed notes. Generous and inky deep with abundant dense dark cherry, blackberry fruits, plentiful fine chocolaty/ velveteen textures, lovely mid-palate volume and integrated mocha vanilla malty oak. Finishes chocolaty firm, with plentiful fruit sweetness and mineral length. Surprisingly approachable with a richness and viscosity that envelops the tannins and acidity. But don't drink it now. Wait for a good six or seven years at the very least. Seal; Cork, Drink 2028-2055+ 14.5% alc." Andrew Caillard MW - 96+ points
"Cuddly doesn't quite conjure the command of Grange but it was the first word to spring to mind. It was only later that I realised that it's 100% shiraz. It feels it. It's a grand display of this most come-hither of varieties. Big fruit, big texture, big arms of tannin and soaring length. It tastes like ants squashed in a rolling wave of super-saturated plum, roasted vanilla riding the wave, soy and rust slipped within. It's as complete an Australian shiraz as you ever will taste. Drink : 2026 - 2046+." Campbell Mattinson, The Wine Front - 96 points
"Strongly marked—as always—by its 100% American oak elevage, the 2017 Grange backs up the cedar and vanilla notes with ample blackberry and cassis fruit. Full-bodied, ripe and almost decadently creamy in the mouth, it's loaded with substance, concentrated and rich, yet—in the context of Grange—relatively light and elegant-seeming on the finish. Only the seventh-ever Grange to be exclusively Shiraz, it originates from Barossa Valley (86%) and McLaren Vale (14%); Shiraz from other growing regions in South Australia failed to make the grade this year." Joe Czerwinski, Robert Parker's Wine Advocate – 96 points
"Surprisingly approachable, the seamless meld of fresh red fruits, mocha and liquorice makes for an especially friendly and agreeable young Grange. A fabulous bouquet immediately draws you in – a meadow of wild herbs amid an orchard of plums – while the long palate shows impressive drive. Some spiky raw notes stick out at the end, along with assertive oak, showing that this vintage is still growing into its sturdy frame." David Sly, Decanter - 96 points
"This starts with a deeply spicy and brooding nose that packs plenty of (100% new) American oak, some smoked vanilla and ripe dark plums and berries. The palate has a youthful, astringent feel with sinewy oak tannin and deep plum and dark-berry flavors, carrying a big frame of fruit extract. Big, round berries strive towards boldness. A blend of Barossa Valley and McLaren Vale. 100% shiraz. Drink over the next two decades." Nick Stock, JamesSuckling.com - 96 points
Awards
James Halliday Top 100 Wines of 2021
The story of grange
1931
In a sign of Max Schubert's determination to make his mark on Australia's wine industry, he did whatever he could to get his foot in the door at Penfolds, joining the company as a messenger boy in 1931. By 1948, at the age of 33, Max Schubert became Penfolds first Chief Winemaker.
1950
In the latter part of 1950, Schubert was sent to Europe to investigate winemaking practices in Spain & Portugal. On a side trip to Bordeaux, Schubert was inspired and impressed by the French cellared-style wines and dreamed of making 'something different and lasting' of his own.
1951
Back in Adelaide, in time for the 1951 vintage, Max Schubert set about looking for appropriate 'raw material' and Shiraz was his grape of choice. Combining traditional Australian techniques, inspiration from Europe and precision winemaking practices developed at Penfolds, Schubert made his first experimental wine in 1951.
1957
Max Schubert was asked to show his efforts in Sydney to top management, invited wine identities and personal friends of the board. To his horror the Grange experiment was universally disliked and Schubert was ordered to shut down the project. What might have been enough to bury Grange in another winemaker's hands, only made Max more determined to succeed.
Late 20th Century
Max continued to craft his Grange vintages in secret, hiding three vintages '57, '58 and '59, in depths of the cellars. Eventually the Penfolds board ordered production of Grange to restart, just in time for the 1960 vintage. From then on, international acknowledgment and awards were bestowed on Grange, including the 1990 vintage of Grange which was named Wine Spectator's Red Wine of the Year in 1995.
Today
Grange's reputation as one of the world's most celebrated wines continues to grow today. On its 50th birthday in 2001, Grange was listed as a South Australian heritage icon, while the 2008 Grange vintage achieved a perfect score of 100 points by two of the world's most influential wine magazines. With every new generation of Penfolds winemakers, Max Schubert's remarkable vision is nurtured and strengthened.
The following text is taken from an article by Ken Gargett in Quill & Pad, https://quillandpad.com
Grange is one of the best-known stories in Australian wine, always worth recapping, especially as a bottle of the very first vintage, 1951, sold at auction last month for AUD$157,624. Not bad for a wine that was never released commercially – it was simply considered an experiment at the time and is apparently only just this side of undrinkable these days.
Grange had an unlikely genesis. Penfolds' head winemaker back in the late 1940s was the legendary Max Schubert. In those days, the market was very much focused on fortifieds, with table wines a distant second. Schubert made several visits to Spain and Portugal to study fortified making, but he had a strong interest in table wines and on the way home he ducked up to Bordeaux for a few days.
Schubert was blown away by what he saw there and returned determined to create an Australian "First Growth." Of course, easier said than done.
The first problem was funding it, though his employers were largely supportive of his experiments provided they did not get in the way of his real work – which in those days was very much on various fortifieds rather than table wines. First Growths tend to be heavily Cabernet Sauvignon dominant with varying amounts of other varieties, especially Merlot. Well, in the late 1940s, early 1950s in Australia, good luck finding much of either, especially Merlot, at the level of quality Schubert required. What we did have, in abundance, was Shiraz. At this stage, Shiraz was dominant even in regions that would become so famous for Cabernet such as Coonawarra.
In addition, First Growths spent time maturing in new French oak. At that stage, American was the oak most commonly found in Australia; there was simply not the quantity or quality of French oak available. So new American it was. While First Growths (indeed, all the top Bordeaux) were from single estates, Australia was all about blending, not only vineyards but regions.
So, the result would be a wine made mostly from Shiraz – only a few Granges over the years have been 100 percent Shiraz, most having a small percentage of Cabernet. It would be sourced from a wide range of regions and matured in new American oak. It has ever been thus.
So nothing at all like a First Growth then, but it started a line of wines that have long been generally considered as Australia’s finest. Personal preference might take one elsewhere and there are a number of exceptional contenders. But Grange has the runs on the board.
The first Grange, an experimental wine, was the 1951 and Penfolds has never missed a vintage since then. The first intended for commercial release was the 1952. Schubert’s intention was a wine that could match great Bordeaux in aging ability, so it was into the cellar with the first vintages for as long as he could get away with. After some years, he finally brought them out for a tasting for the Penfolds hierarchy (Penfolds headquarters was situated half a continent away in Sydney so the daily goings-on at Magill were of little interest). But as Schubert said, that hierarchy had become "increasingly aware of the large amount of money lying idle in their underground cellars at Magill."
To say the unveiling was a disaster of near Biblical proportions would be an understatement. The wines were hated, even ridiculed.
Schubert was devastated. He was inordinately proud of these wines, believing them to be exceptional. The tasting included vintages 1951 to 1956. The wines were treated with contempt. One well-known expert's assessment was, "Schubert, I congratulate you. A very good, dry port, which no one in their right mind will buy, let alone drink." Another compared them to "crushed ants."
Yet another thought he’d take advantage of the situation and offered to take a few dozen off Schubert's hands, but he expected them for free as he thought them not worth any money. One wanted some for use as an aphrodisiac, believing the wine to be like bull’s blood, hence something that would, "raise his blood count to twice the norm when the occasion demanded." A young doctor requested some as an anesthetic for his girlfriend (the mind boggles as to why this was required – and given his position as a doctor, why he did not have access to something more suitable).
It is worth noting that wines like 1952, 1953, and 1955 are now considered to be some of the greatest ever made in Australia. The 1951 is now little more than a curio and I doubt anyone is paying AUD$150,000 for the pleasure of drinking it. It is for collectors only.
After the debacle, the order came from Sydney: "Cease production."
Despite knowing full well that defiance of such instructions would end his career, Schubert was so convinced as to the ultimate quality of these wines that he ignored the directive. From 1957, he made the wines in secret. Of course, this meant that he could not add the usual quantities of new oak to the budget among other things – there is only so much you can hide from bean counters, even long distance. But the wines were made and hidden away in the depths of the cellars under false names and records. This gave us the "hidden Granges" of 1957, 1958, and 1959.
At the time Penfolds still had stocks of the early Granges and little idea what to do with them. Schubert entered them in shows – wine shows are very important to the Australian wine industry. Not surprisingly, they started to not only win medals but to dominate the shows. Naturally, this caught the eye of the hierarchy, and the decision was made to reverse the earlier edict. Schubert was instructed to recommence production. I can find no record of the reaction by the Penfolds board when it discovered that he’d never stopped, but I would love to have been the proverbial fly on the wall.
Peter Gago
The following text is taken from an article by Ken Gargett in Quill & Pad, https://quillandpad.com
Peter Gago has what many people in the wine world think is the best job on the planet. He is chief winemaker for Penfolds, based in South Australia and one of Australia’s oldest wine producers.
Max Schubert created Grange with the experimental first wine, the 1951, after he returned from Bordeaux and wanted to establish an Aussie First Growth. The story of Grange has been told many times, and as fascinating as it is I won’t rehash it again. Schubert ruled at Penfolds right through to the 1976 vintage, when he handed the reins to Don Ditter. Ditter made the wines right through to the 1986 vintage when John Duval stepped up. Duval was chief winemaker until the 2002 vintage, when he left to do his own thing, very successfully.
Since that time, Peter Gago has been the chief winemaker. It should be noted that although the role of chief winemaker at Penfolds will always be inextricably linked with Grange, there are a great many other wines in the portfolio for which this position assumes ultimate responsibility.
Alongside the winemaking, in which he is still heavily involved, a usual week in non-Covid times sees Gago flying around the world to tastings, dinners, events, festivals, and promotions. I suspect that only David Attenborough (outside of pilots and crew) has racked up more flying miles. I remember seeing him one day when he seemed even more pleased with the world than usual. Turns out he’d just run into his wife, Gail, now retired but a long-term and highly regarded member of the South Australian parliament, at the airport. Gago had not been aware that they would both be in the same country that week, let alone cross paths, such is his usual peripatetic lifestyle.
Gago has friends and admirers all around the globe, from the rich and famous to young, aspiring wine lovers, and will spend time talking to them all. I suspect that if he wanted to start dropping names, the din would reverberate for days, but you could not find a humbler man. Gago is a serious music buff and you’d be amazed at the number of rock stars who revere him, much in the way their fans might do for them (for instance, after crawling over broken glass to get a ticket to a Bruce Springsteen concert I saw Gago sitting in prime seats with Springsteen’s family, after which they went for dinner and knocked off a few bottles of Grange).
Gago is probably as close to a rock star himself in the world of wine, although perhaps more modest rather than flamboyant. And I have no idea if he can sing.
The thing that most amazes me with Gago is that every time you talk to him, he is bubbling with genuine enthusiasm, not just for Grange but for all his wines. He just loves what he is doing. One gets the feeling that every morning he wakes up and pinches himself to make sure it is real.
Among his many attributes, Gago has the gift of the gab like few others. Only once have I ever seen him lost for words and caught off guard. Many years ago, at the annual release – held in a very fancy location near the shores of Sydney Harbor; it is always a fancy location somewhere and also always includes great champagne to kick off the day as Gago is fanatical about the world’s best bubbles – the then current chairman or CEO of whichever corporate entity was then the owner of Penfolds attended the day. Forgive me for my failure to remember just where the corporate snakes and ladders left Penfolds that day and for failing to remember the relevant gentleman’s name. He had only been appointed as a temporary executive while the search for a more permanent one was ongoing, but unlike any of the CEOs before and after, this man had a genuine interest and came to a couple of tastings to learn.
Anyway, as we sipped our champagne on the lawns overlooking Sydney Harbor and chatted, our friend suddenly posed a question to Gago. He had been meaning to ask, he said, just how much Grange the company made. There were five or six writers in this little group and suddenly, every single one of us had pad and pen poised. The production of Grange is a national secret that is not to be disclosed under pain of death (general consensus puts it at, depending on the vintage, between 5,000 and 15,000 cases, with most releases in the mid range, but this is pure speculation).
Gago was at a loss. The boss of bosses had just asked him a direct question and Gago is far too polite not to answer but knew he couldn’t give that information out in public. He managed a fair bit of mumbling and generalizations and I think he suggested they meet later. Pads and pens all went back into bags, and we could not help grinning while Gago looked like he’d just swallowed a bad oyster.
Gago was born in England in 1957, but his family moved to Melbourne when he was only six years of age. Originally a math teacher (teaching is still a passion), he undertook a science degree at the University of Melbourne and then attended Roseworthy College, a famous Australian winemaking college, graduating as Dux (the highest ranking academic performance -ed), which will surprise no one.
In 1989 he joined Penfolds as a sparkling winemaker, working with Ed Carr, who has established a career in sparkling wine (now with Arras) as successful as Gago’s is with table wines. He moved to reds and quickly rose through the ranks until succeeding Duval in 2002. In the 73 years since Schubert was first appointed, Gago is only the fourth chief winemaker.
During his tenure, he has stacked up an extraordinary array of bling, as has Penfolds under his stewardship (Gago heads a team of eight winemakers for table wines and a couple more for fortifieds). He has several “Winemaker of the Year” awards from different entities and publications, both from Australia and abroad, but the accolades go well beyond that.
In 2017, in what is termed “the Queen’s Birthday Honors List,” he was awarded the highly prestigious Companion of the Order of Australia (AC) for service to the wine industry. For non-Aussies, that is a big one! A year later, he received an honorary doctorate from the University of South Australia and named the Great Wine Capitals Ambassador for South Australia.
Very recently, Gago was awarded perhaps the most prestigious honor of all in the wine world: admission to the Decanter Hall of Fame (previously they honored the Decanter Man – or Woman – of the Year, but that changed). Decanter is a highly respected English wine magazine that established its hall of fame in 1984 with Serge Hochar from Château Musar in Lebanon the first recipient. There is only a single addition per year. Gago is the fourth Australian following Max Schubert in 1988, Len Evans in 1997, and Brian Croser in 2004. That two of the four chief winemakers from a single producer have made this list (Schubert and Gago) is unprecedented but shows just where Penfolds sits in the pantheon of wine producers around the globe.
And should you still remain unconvinced then take a moment to look at some of the names Gago has joined: Parker, Spurrier, Tchelistcheff, Robinson, Moueix, de Villaine, Antinori, Lichine, Gaja, Symington, Loosen, Guigal, Torres, Draper, Peynaud, Mondavi, and so many more. There is no question that the name Peter Gago sits very comfortably alongside them all.
What is most important is that across the board the Penfolds wines have never been better, and while it is a team effort, in the end we can thank Gago.
Winery
After the success of early sherries and fortified wines, founders Dr Christopher and Mary Penfold planted the vine cuttings they had carried on their voyage over to Australia. In 1844 the fledging vineyard was officially established as the Penfolds wine company at Magill Estate.
As the company grew, so too did Dr Penfold's medical reputation, leaving much of the running of the winery to Mary Penfold. Early forays into Clarets and Rieslings proved increasingly popular, and on Christopher's death in 1870, Mary assumed total responsibility for the winery. Mary's reign at the helm of Penfolds saw years of determination and endeavour.
By the time Mary Penfold retired in 1884 (ceding management to her daughter, Georgina) Penfolds was producing 1/3 of all South Australia's wine. She'd set an agenda that continues today, experimenting with new methods in wine production. By Mary's death in 1896, the Penfolds legacy was well on its way to fruition. By 1907, Penfolds had become South Australia's largest winery.
In 1948, history was made again as Max Schubert became the company's first Chief Winemaker. A loyal company man and true innovator, Schubert would propel Penfolds onto the global stage with his experimentation of long-lasting wines - the creation of Penfolds Grange in the 1950s.
In 1959 (while Schubert was perfecting his Grange experiment in secret), the tradition of ‘bin wines' began. The first, a Shiraz wine with the grapes of the company's own Barossa Valley vineyards was simply named after the storage area of the cellars where it is aged. And so Kalimna Bin 28 becomes the first official Penfolds Bin number wine.
In 1960, the Penfolds board instructed Max Schubert to officially re-start production on Grange. His determination and the quality of the aged wine had won them over.
Soon, the medals began flowing and Grange quickly became one of the most revered wines around the world. In 1988 Schubert was named Decanter Magazine's Man of the Year, and on the 50th anniversary of its birth, Penfolds Grange was given a heritage listing in South Australia.
Despite great success, Penfolds never rests on its laurels. In 2012 Penfolds released its most innovative project to date - 12 handcrafted ampoules of the rare 2004 Kalimna Block Cabernet Sauvignon.
Two years later, Penfolds celebrated the 170th anniversary – having just picked up a perfect score of 100 for the 2008 Grange in two of the world's most influential wine magazines. Today, Penfolds continues to hold dear the philosophies and legends – ‘1844 to evermore!'.
South Australia
South Australian is responsible for more than half the production of all Australian wine. It is home to more than 900 wineries across 18 wine regions. The regions are Adelaide Hills, Adelaide Plains, Barossa Valley, Clare Valley, Coonawarra, Currency Creek, Eden Valley, Kangaroo Island, Langhorne Creek, McLaren Vale, Mount Benson, Mount Gambier, Padthaway, Riverland, Robe, Southern Fleurieu, Southern Flinders Ranges and Wrattonbully.
Many of the well-known names in the South Australian wine industry established their first vineyards in the late 1830s and early 1840s. The first vines in McLaren Vale were planted at Reynella in 1839 and Penfold's established Magill Estate on the outskirts of Adelaide in 1844.
South Australia has a vast diversity in geography and climate which allows the State to be able to produce a range of grape varieties - from cool climate Riesling in the Clare and Eden Vallies to the big, full bodied Shiraz wines of the Barossa Valley and McLaren Vale. Two of Australia's best-known wines, Penfolds Grange and Henschke Hill of Grace, are produced here. There is much to discover in South Australia for the wine lover.