Penfolds Bin 95 Grange 2022 (Gift Box)
Style: Red Wine
Varieties: Shiraz (97%), Cabernet Sauvignon (3%)
Closure: Cork
Penfolds Bin 95 Grange 2022 (Gift Box)
Warehouse
34 Redland Drive
Vermont VIC 3133
Australia
Critic Score: 20/20 and 99
Alcohol: 14.5 %
Size: 750 ml
Drink by: 2065
Penfolds Bin 95 Grange Shiraz is Australia's most famous wine with a reputation for superb fruit complexity and flavour richness. It is the most powerful expression of Penfolds multi-vineyard, multi-district blending philosophy and is officially listed as a Heritage Icon of South Australia. One of the world's great wines.
"Massive wine, with huge mouth-coating tannins that grip tightly, espresso coffee, lots of oak, an amazing young wine of tremendous concentration, power and length. Like an over-extracted cup of black tea. This is a whopper and needs many years more. Wow factor." Huon Hooke
The 2022 Penfolds Grange is a blend of 97% Shiraz and 3% Cabernet Sauvignon from premium vineyards in the Barossa Valley, McLaren Vale and Coonawarra. The wine was matured for 18 months in American oak hogsheads (100% new).
"Respectfully, yet immediately and undeniably saturated/slurpy/sumptuous. Rich and lush with volume and density, energy and drive. Tightly woven, defined and yet intense, generous. A re-emergence of descriptors earlier sensed aromatically – black cherry, dark chocolate and Chinotto, and also add – walnut and Dubbin boot polish. The palate fans/extends outwards… a veritable lava flow of tannins impinges on all in its path. These tannins are buffed/resolved/polished. Lingers – in no hurry to exit - memories at stake! Reminiscent of which recent Grange vintage? Arguably may have to go back to the 1998." Penfolds
Expert reviews
"The nose is nothing short of glorious and it is, somewhat shockingly, completely unfurled and open with fresh-picked rose petals, fresh rolling tobacco, and handfuls of fresh earth. In fact, none of the tasting notes has any of the dried characteristics one finds in other vintages. It is majestic, commanding and full-bodied, but also lithe, athletic and certainly more ‘Burgundian’! And I have never thought this word, let alone written it. It is conversational and charming, and the tannins are fresh, fine-grained and imperial. They are certainly big and athletic, but they are also civilised, elegant and downright incredible. This is a perfect example of a perfect, near-drinking Grange. That said, I have no doubt it will run for at least three decades, too!" Matthew Jukes - 20/20 points
"The ’21 Grange was undoubtedly a hard act to follow, but here we see a ’22 that is up for the challenge. Yes, there is an underlying power, the kind you expect from sourcing fruit from the big three – Barossa Valley, McLaren Vale, Coonawarra – in what was essentially a cool vintage. But there is also a subtle elegance and moments when the lilt and carry of fine spices brings notes more akin to syrah than shiraz. The rise of blue fruits amid blackberries, cassis, black cherry sits comfortably with savoury leather and woodsmoke, roasted coffee, black olive, liquorice, dark chocolate, pepperberry and a lifted and arresting, aromatic spiciness. The palate offers a deep richness and plenty of flesh framed in firm, fine tannins – sturdy but not aggressively so. Sustained power meets a rising complex elegance. 97% shiraz/3% cabernet sauvignon. Drink: 2032-2060." Jeni Port, Wine Pilot – 99 points
"Deep, saturated colour; bright plum and chocolate nose, Massive wine, with huge mouth-coating tannins that grip tightly, espresso coffee, lots of oak, an amazing young wine of tremendous concentration, power and length. Like an over-extracted cup of black tea. This is a whopper and needs many years more. Wow factor. Drink: 2032–2067." Huon Hooke, The Real Review - 98 points
"There’s a brightness to this release, redcurrants and plums, red cherries even, semblances of dried herbs, saltbush, mace, peppercorns. Crushed ant character is apparent here both on the nose and on the palate but it rolls through with graphite and all that red brightness. Great tannin to this release. Great integration to the oak, which comes across like powdered milk chocolate but which has settled extraordinarily well. I kept coming back to the tannin of this wine. It has grunt for certain but it’s the spread; swallowing here is like watching a storm roll through in reverse. It just keeps cascading on, impacting as it goes. It’s a cooler year, it’s not a blockbuster, it’s more 1999 than 1998, but it has length and tannin like you wouldn’t believe and for that, I think it’s a ripper. Drink 2029-2040+." Campbell Mattinson, The Wine Front - 98 points
"The wine finishes with great length and plenty of grip... The oak integration is exemplary. A wine of focus and energy. Plenty of grip there might be, but it is delightfully satiny in character. A wine which surely has forty years ahead of it." Ken Gargett, Wine Pilot - 98 points
"The 2022 vintage in South Australia was magnificent. I've loved the wines. It will always live in the shadow of the exceptional 2021 vintage. The season for Grange growers was shaped by a cool, measured growing season across South Australia. Good winter rainfall supported early vine growth, while unsettled spring weather, including hail, reduced yields, particularly for Barossa Valley Shiraz. A mild summer with few extreme heat events allowed slow, even ripening across key regions. Low yields, healthy canopies and extended hang time produced small berries, firm tannins, retained freshness and controlled power. Aromatically, the wine leads with licorice and blackberry, raspberry seed, cold tea and civet paste too. This is intensely concentrated (almost boring to mention that, given it is definitely the house style), powerful and black in character. Grange is made from fully ripe, structured Shiraz grapes sourced from South Australian regions. First produced experimentally in 1951, it has been made in every vintage since and is associated with the relationship between Shiraz and the soils and climates of South Australia. The tannins are primal and arrive with a snarl; they linger once the wine has gone and show immense dominance over all but the fruit. It's a great Grange. Drink: 2026-2062." Erin Larkin, Wine Advocate - 98 points
"75 years of Grange: hard to believe this icon has reached such an important milestone and is still going strong. A blend of 97% Shiraz and 3% Cabernet Sauvignon, aged for 18 months in 100% new American oak hogsheads (300 L). Initially served from a magnum, it was extremely restrained on the nose, almost mysterious. We were then served the same wine from a standard 750 ml bottle for comparison. The 750 ml bottle proved just a little more forthcoming aromatically, while the magnum remained more reserved. Tightly packed wild mulberries, blueberries and blackcurrants, with a distinctive herbal note of freshly brewed Oolong tea leaves. The palates from both bottle formats ultimately revealed the same story: lively, fragrant fruit, with pomegranate, crunchy violet and beautifully polished yet mouth-watering tannins. The acidity cascades through the wine, the finish keeps unfolding, remaining fresh, lively, fine and enticing. The reward for patience will come with a few more years in bottle, especially for the magnum. 2028-2070." Lisa Cardelli, Wine Pilot – 98 points
"Compressed and tightly wound, a wine in no hurry to unravel and reveal the full breadth of its character. A swirling collection of dark berry characters, coffee crema, cocoa nibs. Plenty of classic Grange signatures – the dark bits in roasting pans, bay leaf and fennel seeds, bull ants crushed on split slate. Taut and muscular, surefooted and drenched with the kind of firm tannins that look towards history." Nick Ryan, The Weekend Australian - 98 points
"Another excellent release with a cooler, softer feel reflecting the vintage conditions. Black and blue berries with plum skin, mint, leather, cedar, bitter chocolate, bay leaf and ferric earth. The palate is silky and unctuous with no hard edges, melting tannins and a tense, salivating finish with a savory-edged austerity. A wine with decades ahead to unravel its nuance. A blend of 97% shiraz and 3% cabernet sauvignon. Drink or hold." Ryan Montgomery, JamesSuckling.com - 98 points
"97/3% shiraz/cabernet sauvignon matured for 18 months in new American oak hogsheads. A deeply fruited, powerful Grange release from vintage conditions that play into the hands of those who respect the wine's impeccable pedigree of longevity. Impenetrably dark in colour, with ripe satsuma plum, blackberry, blueberry and black cherry fruits at the base, with hints of ginger spice, black pudding, dark chocolate, pan drippings, purple flowers, barrel spice, licorice, soot, graphite, a light formic lift and a suggestion of something ferrous akin to the tang of a blacksmith's anvil. It's deep and resonant; the tannins are fine and sinewy, rising up through the dense fruit, tending to chocolatey as they coalesce. Acidity is fine and sympatico with the fruit weight, providing line and length as those powerful flavours stretch out fully. Tuck it away for a decade and have a peek, then perhaps make it two. Drink by 2076." Dave Brookes, Halliday Wine Companion - 97+ points
"Deep crimson. Intense inky blackberry pastille, elderberry, blueberry aromas with walnut, dates, mocha/ espresso notes. Deeply set blackberry, mocha flavours and concentrated, elemental, fine dense bittersweet, chalky/ graphite tannins. Chocolaty velveteen finish. Acidity quite dominant. Buoyant and voluminous with lovely density and torque but tannins will take some years to resolve. Tasted in Magnum and Bottle. 18 months in American oak hogsheads. 97% shiraz, 3% cabernet sauvignon. Barossa Valley, McLaren Vale, Coonawarra. Drink 2030 – 2060." Andrew Caillard MW - 97+ points
"97% Shiraz, 3% Cabernet Sauvignon sourced from Barossa Valley, McLaren Vale and Coonawarra; 18 months in 100% new American oak hogsheads. This release marks 75 years of Grange, an unbroken line of vintages stretching back to the experimental 1951, and one officially recognised as a Heritage Icon of South Australia. The 2022 vintage leans heavily on Barossa Valley Shiraz (over 85% of the blend), complexed by McLaren Vale and Coonawarra fruit. Vibrant red plum, red and black cherry, blackberry, leather and black pepper lead to black olive, soot, violets and star anise. There’s some sweet shortbread and black liquorice in the mix. The palate has lovely texture with black olive, black cherry, blackberry, shortbread, vanilla, subtle leather and grilled meat juice tones. There’s some fruit tannin chew on the palate at this young age, putting up a frame around the fruit and savoury notes to very good length. Lively acidity lifts the finish, carrying a lovely melding of savoury and fruit characters, while cocoa powder adds a sprinkling of bitter tones." Tom Kline, Wine Pilot – 97 points
The story of grange

1931
In a sign of Max Schubert's determination to make his mark on Australia's wine industry, he did whatever he could to get his foot in the door at Penfolds, joining the company as a messenger boy in 1931. By 1948, at the age of 33, Max Schubert became Penfolds first Chief Winemaker.
1950
In the latter part of 1950, Schubert was sent to Europe to investigate winemaking practices in Spain & Portugal. On a side trip to Bordeaux, Schubert was inspired and impressed by the French cellared-style wines and dreamed of making 'something different and lasting' of his own.
1951
Back in Adelaide, in time for the 1951 vintage, Max Schubert set about looking for appropriate 'raw material' and Shiraz was his grape of choice. Combining traditional Australian techniques, inspiration from Europe and precision winemaking practices developed at Penfolds, Schubert made his first experimental wine in 1951.
1957
Max Schubert was asked to show his efforts in Sydney to top management, invited wine identities and personal friends of the board. To his horror the Grange experiment was universally disliked and Schubert was ordered to shut down the project. What might have been enough to bury Grange in another winemaker's hands, only made Max more determined to succeed.
Late 20th Century
Max continued to craft his Grange vintages in secret, hiding three vintages '57, '58 and '59, in depths of the cellars. Eventually the Penfolds board ordered production of Grange to restart, just in time for the 1960 vintage. From then on, international acknowledgment and awards were bestowed on Grange, including the 1990 vintage of Grange which was named Wine Spectator's Red Wine of the Year in 1995.
Today
Grange's reputation as one of the world's most celebrated wines continues to grow today. On its 50th birthday in 2001, Grange was listed as a South Australian heritage icon, while the 2008 Grange vintage achieved a perfect score of 100 points by two of the world's most influential wine magazines. With every new generation of Penfolds winemakers, Max Schubert's remarkable vision is nurtured and strengthened.
The following text is taken from an article by Ken Gargett in Quill & Pad, https://quillandpad.com
Grange is one of the best-known stories in Australian wine, always worth recapping, especially as a bottle of the very first vintage, 1951, sold at auction last month for AUD$157,624. Not bad for a wine that was never released commercially – it was simply considered an experiment at the time and is apparently only just this side of undrinkable these days.
Grange had an unlikely genesis. Penfolds' head winemaker back in the late 1940s was the legendary Max Schubert. In those days, the market was very much focused on fortifieds, with table wines a distant second. Schubert made several visits to Spain and Portugal to study fortified making, but he had a strong interest in table wines and on the way home he ducked up to Bordeaux for a few days.
Schubert was blown away by what he saw there and returned determined to create an Australian "First Growth." Of course, easier said than done.
The first problem was funding it, though his employers were largely supportive of his experiments provided they did not get in the way of his real work – which in those days was very much on various fortifieds rather than table wines. First Growths tend to be heavily Cabernet Sauvignon dominant with varying amounts of other varieties, especially Merlot. Well, in the late 1940s, early 1950s in Australia, good luck finding much of either, especially Merlot, at the level of quality Schubert required. What we did have, in abundance, was Shiraz. At this stage, Shiraz was dominant even in regions that would become so famous for Cabernet such as Coonawarra.
In addition, First Growths spent time maturing in new French oak. At that stage, American was the oak most commonly found in Australia; there was simply not the quantity or quality of French oak available. So new American it was. While First Growths (indeed, all the top Bordeaux) were from single estates, Australia was all about blending, not only vineyards but regions.
So, the result would be a wine made mostly from Shiraz – only a few Granges over the years have been 100 percent Shiraz, most having a small percentage of Cabernet. It would be sourced from a wide range of regions and matured in new American oak. It has ever been thus.
So nothing at all like a First Growth then, but it started a line of wines that have long been generally considered as Australia’s finest. Personal preference might take one elsewhere and there are a number of exceptional contenders. But Grange has the runs on the board.
The first Grange, an experimental wine, was the 1951 and Penfolds has never missed a vintage since then. The first intended for commercial release was the 1952. Schubert’s intention was a wine that could match great Bordeaux in aging ability, so it was into the cellar with the first vintages for as long as he could get away with. After some years, he finally brought them out for a tasting for the Penfolds hierarchy (Penfolds headquarters was situated half a continent away in Sydney so the daily goings-on at Magill were of little interest). But as Schubert said, that hierarchy had become "increasingly aware of the large amount of money lying idle in their underground cellars at Magill."
To say the unveiling was a disaster of near Biblical proportions would be an understatement. The wines were hated, even ridiculed.
Schubert was devastated. He was inordinately proud of these wines, believing them to be exceptional. The tasting included vintages 1951 to 1956. The wines were treated with contempt. One well-known expert's assessment was, "Schubert, I congratulate you. A very good, dry port, which no one in their right mind will buy, let alone drink." Another compared them to "crushed ants."
Yet another thought he’d take advantage of the situation and offered to take a few dozen off Schubert's hands, but he expected them for free as he thought them not worth any money. One wanted some for use as an aphrodisiac, believing the wine to be like bull’s blood, hence something that would, "raise his blood count to twice the norm when the occasion demanded." A young doctor requested some as an anesthetic for his girlfriend (the mind boggles as to why this was required – and given his position as a doctor, why he did not have access to something more suitable).
It is worth noting that wines like 1952, 1953, and 1955 are now considered to be some of the greatest ever made in Australia. The 1951 is now little more than a curio and I doubt anyone is paying AUD$150,000 for the pleasure of drinking it. It is for collectors only.
After the debacle, the order came from Sydney: "Cease production."
Despite knowing full well that defiance of such instructions would end his career, Schubert was so convinced as to the ultimate quality of these wines that he ignored the directive. From 1957, he made the wines in secret. Of course, this meant that he could not add the usual quantities of new oak to the budget among other things – there is only so much you can hide from bean counters, even long distance. But the wines were made and hidden away in the depths of the cellars under false names and records. This gave us the "hidden Granges" of 1957, 1958, and 1959.
At the time Penfolds still had stocks of the early Granges and little idea what to do with them. Schubert entered them in shows – wine shows are very important to the Australian wine industry. Not surprisingly, they started to not only win medals but to dominate the shows. Naturally, this caught the eye of the hierarchy, and the decision was made to reverse the earlier edict. Schubert was instructed to recommence production. I can find no record of the reaction by the Penfolds board when it discovered that he’d never stopped, but I would love to have been the proverbial fly on the wall.
Peter Gago

The following text is taken from an article by Ken Gargett in Quill & Pad, https://quillandpad.com
Peter Gago has what many people in the wine world think is the best job on the planet. He is chief winemaker for Penfolds, based in South Australia and one of Australia’s oldest wine producers.
Max Schubert created Grange with the experimental first wine, the 1951, after he returned from Bordeaux and wanted to establish an Aussie First Growth. The story of Grange has been told many times, and as fascinating as it is I won’t rehash it again. Schubert ruled at Penfolds right through to the 1976 vintage, when he handed the reins to Don Ditter. Ditter made the wines right through to the 1986 vintage when John Duval stepped up. Duval was chief winemaker until the 2002 vintage, when he left to do his own thing, very successfully.
Since that time, Peter Gago has been the chief winemaker. It should be noted that although the role of chief winemaker at Penfolds will always be inextricably linked with Grange, there are a great many other wines in the portfolio for which this position assumes ultimate responsibility.
Alongside the winemaking, in which he is still heavily involved, a usual week in non-Covid times sees Gago flying around the world to tastings, dinners, events, festivals, and promotions. I suspect that only David Attenborough (outside of pilots and crew) has racked up more flying miles. I remember seeing him one day when he seemed even more pleased with the world than usual. Turns out he’d just run into his wife, Gail, now retired but a long-term and highly regarded member of the South Australian parliament, at the airport. Gago had not been aware that they would both be in the same country that week, let alone cross paths, such is his usual peripatetic lifestyle.
Gago has friends and admirers all around the globe, from the rich and famous to young, aspiring wine lovers, and will spend time talking to them all. I suspect that if he wanted to start dropping names, the din would reverberate for days, but you could not find a humbler man. Gago is a serious music buff and you’d be amazed at the number of rock stars who revere him, much in the way their fans might do for them (for instance, after crawling over broken glass to get a ticket to a Bruce Springsteen concert I saw Gago sitting in prime seats with Springsteen’s family, after which they went for dinner and knocked off a few bottles of Grange).
Gago is probably as close to a rock star himself in the world of wine, although perhaps more modest rather than flamboyant. And I have no idea if he can sing.
The thing that most amazes me with Gago is that every time you talk to him, he is bubbling with genuine enthusiasm, not just for Grange but for all his wines. He just loves what he is doing. One gets the feeling that every morning he wakes up and pinches himself to make sure it is real.
Among his many attributes, Gago has the gift of the gab like few others. Only once have I ever seen him lost for words and caught off guard. Many years ago, at the annual release – held in a very fancy location near the shores of Sydney Harbor; it is always a fancy location somewhere and also always includes great champagne to kick off the day as Gago is fanatical about the world’s best bubbles – the then current chairman or CEO of whichever corporate entity was then the owner of Penfolds attended the day. Forgive me for my failure to remember just where the corporate snakes and ladders left Penfolds that day and for failing to remember the relevant gentleman’s name. He had only been appointed as a temporary executive while the search for a more permanent one was ongoing, but unlike any of the CEOs before and after, this man had a genuine interest and came to a couple of tastings to learn.
Anyway, as we sipped our champagne on the lawns overlooking Sydney Harbor and chatted, our friend suddenly posed a question to Gago. He had been meaning to ask, he said, just how much Grange the company made. There were five or six writers in this little group and suddenly, every single one of us had pad and pen poised. The production of Grange is a national secret that is not to be disclosed under pain of death (general consensus puts it at, depending on the vintage, between 5,000 and 15,000 cases, with most releases in the mid range, but this is pure speculation).
Gago was at a loss. The boss of bosses had just asked him a direct question and Gago is far too polite not to answer but knew he couldn’t give that information out in public. He managed a fair bit of mumbling and generalizations and I think he suggested they meet later. Pads and pens all went back into bags, and we could not help grinning while Gago looked like he’d just swallowed a bad oyster.
Gago was born in England in 1957, but his family moved to Melbourne when he was only six years of age. Originally a math teacher (teaching is still a passion), he undertook a science degree at the University of Melbourne and then attended Roseworthy College, a famous Australian winemaking college, graduating as Dux (the highest ranking academic performance -ed), which will surprise no one.
In 1989 he joined Penfolds as a sparkling winemaker, working with Ed Carr, who has established a career in sparkling wine (now with Arras) as successful as Gago’s is with table wines. He moved to reds and quickly rose through the ranks until succeeding Duval in 2002. In the 73 years since Schubert was first appointed, Gago is only the fourth chief winemaker.
During his tenure, he has stacked up an extraordinary array of bling, as has Penfolds under his stewardship (Gago heads a team of eight winemakers for table wines and a couple more for fortifieds). He has several “Winemaker of the Year” awards from different entities and publications, both from Australia and abroad, but the accolades go well beyond that.
In 2017, in what is termed “the Queen’s Birthday Honors List,” he was awarded the highly prestigious Companion of the Order of Australia (AC) for service to the wine industry. For non-Aussies, that is a big one! A year later, he received an honorary doctorate from the University of South Australia and named the Great Wine Capitals Ambassador for South Australia.
Very recently, Gago was awarded perhaps the most prestigious honor of all in the wine world: admission to the Decanter Hall of Fame (previously they honored the Decanter Man – or Woman – of the Year, but that changed). Decanter is a highly respected English wine magazine that established its hall of fame in 1984 with Serge Hochar from Château Musar in Lebanon the first recipient. There is only a single addition per year. Gago is the fourth Australian following Max Schubert in 1988, Len Evans in 1997, and Brian Croser in 2004. That two of the four chief winemakers from a single producer have made this list (Schubert and Gago) is unprecedented but shows just where Penfolds sits in the pantheon of wine producers around the globe.
And should you still remain unconvinced then take a moment to look at some of the names Gago has joined: Parker, Spurrier, Tchelistcheff, Robinson, Moueix, de Villaine, Antinori, Lichine, Gaja, Symington, Loosen, Guigal, Torres, Draper, Peynaud, Mondavi, and so many more. There is no question that the name Peter Gago sits very comfortably alongside them all.
What is most important is that across the board the Penfolds wines have never been better, and while it is a team effort, in the end we can thank Gago.
Winery

After the success of early sherries and fortified wines, founders Dr Christopher and Mary Penfold planted the vine cuttings they had carried on their voyage over to Australia. In 1844 the fledging vineyard was officially established as the Penfolds wine company at Magill Estate.
As the company grew, so too did Dr Penfold's medical reputation, leaving much of the running of the winery to Mary Penfold. Early forays into Clarets and Rieslings proved increasingly popular, and on Christopher's death in 1870, Mary assumed total responsibility for the winery. Mary's reign at the helm of Penfolds saw years of determination and endeavour.
By the time Mary Penfold retired in 1884 (ceding management to her daughter, Georgina) Penfolds was producing 1/3 of all South Australia's wine. She'd set an agenda that continues today, experimenting with new methods in wine production. By Mary's death in 1896, the Penfolds legacy was well on its way to fruition. By 1907, Penfolds had become South Australia's largest winery.
In 1948, history was made again as Max Schubert became the company's first Chief Winemaker. A loyal company man and true innovator, Schubert would propel Penfolds onto the global stage with his experimentation of long-lasting wines - the creation of Penfolds Grange in the 1950s.
In 1959 (while Schubert was perfecting his Grange experiment in secret), the tradition of ‘bin wines' began. The first, a Shiraz wine with the grapes of the company's own Barossa Valley vineyards was simply named after the storage area of the cellars where it is aged. And so Kalimna Bin 28 becomes the first official Penfolds Bin number wine.
In 1960, the Penfolds board instructed Max Schubert to officially re-start production on Grange. His determination and the quality of the aged wine had won them over.
Soon, the medals began flowing and Grange quickly became one of the most revered wines around the world. In 1988 Schubert was named Decanter Magazine's Man of the Year, and on the 50th anniversary of its birth, Penfolds Grange was given a heritage listing in South Australia.
Despite great success, Penfolds never rests on its laurels. In 2012 Penfolds released its most innovative project to date - 12 handcrafted ampoules of the rare 2004 Kalimna Block Cabernet Sauvignon.
Two years later, Penfolds celebrated the 170th anniversary – having just picked up a perfect score of 100 for the 2008 Grange in two of the world's most influential wine magazines. Today, Penfolds continues to hold dear the philosophies and legends – ‘1844 to evermore!'.

South Australia
South Australian is responsible for more than half the production of all Australian wine. It is home to more than 900 wineries across 18 wine regions. The regions are Adelaide Hills, Adelaide Plains, Barossa Valley, Clare Valley, Coonawarra, Currency Creek, Eden Valley, Kangaroo Island, Langhorne Creek, McLaren Vale, Mount Benson, Mount Gambier, Padthaway, Riverland, Robe, Southern Fleurieu, Southern Flinders Ranges and Wrattonbully.
Many of the well-known names in the South Australian wine industry established their first vineyards in the late 1830s and early 1840s. The first vines in McLaren Vale were planted at Reynella in 1839 and Penfold's established Magill Estate on the outskirts of Adelaide in 1844.
South Australia has a vast diversity in geography and climate which allows the State to be able to produce a range of grape varieties - from cool climate Riesling in the Clare and Eden Vallies to the big, full bodied Shiraz wines of the Barossa Valley and McLaren Vale. Two of Australia's best-known wines, Penfolds Grange and Henschke Hill of Grace, are produced here. There is much to discover in South Australia for the wine lover.
